The Point Compares The Flea’s “Emma and Max” and Oscar-Winner “Roma”


In Times Square, the billboard for Roma commands: “FEEL.” “EXPERIENCE.” Don’t think too much, it seems to be saying: remember when you used to feel something, while looking at one of these screens?

With its accomplished cinematography, indigenous heroine and understated dialogue, Alfonso Cuarón’s Roma is both unusual and approachable enough to have hit a sweet spot of critical and commercial success. Adding to its Oscar appeal: the film’s protagonist, Cleo, is modeled after Cuarón’s own nanny growing up, and the film takes up a sufficiently serious subject—the complicated emotional dynamics at play when domestic laborers become part of the family they’re hired to serve.

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