Events
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
Antigone
Anouilh’s Antigone was first produced under the Nazi occupation of France in February, 1942. It passed the Nazi censors, and was approved for production by the Third Reich.
In Anouilh’s adaptation we witness the cautionary tale of a party of survivors at war with itself, symbolizing a resistance to fascism and a mirror to our own fractured present. This is the tragedy of a "new order" fractured by a generational divide: between a veteran guard that "said yes" to the burden of leadership, and an iconoclastic generation that "says no" to the sacrifices that follow.
The ultimate tragedy is that the death of the idealist results in the apathy of the masses, and the wheel spins round and round. By choosing a convenient peace, we trade awareness for a false sense of security, accepting the promise of safety in exchange for silence, and thus elevate a society that is easiest to control. By silencing the radical voice, we leave ourselves vulnerable to the very authoritarians who seek to enslave us. Enter Fascism 2025.
SoHo Shakespeare Company's Antigone
The year is 2030. An uprising that resulted in civil war has been quelled. Elections in The United States are now run by the Federal Government, and the Neo-Fascist 47 Regime has entered its Third Term. Creon presides over the Northeast Quarter of the US, under the watchful eye of the 47th Presidential Supreme Leader. What will Creon do to maintain a fragile peace? What will Antigone do to break the illusion?
The STARTUP (Preview Performance)
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP (Preview Performance)
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP (Preview Performance)
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP (Preview Performance)
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP (Opening Night)
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP *Live talkback will follow
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
The STARTUP
The Startup is a sharp, satirical new musical about the price we pay for digital fame. Set in the cutthroat world of Big Tech, The Startup follows CEO Chip Cooper and his idealistic team as they try to build a more ethical social media platform, just as their company teeters on the edge of financial collapse.
With biting humor and bold heart, The Startup dives into our tangled relationship with technology, tackling everything from social media addiction and data privacy to influencer culture and the rise of AI. It’s a timely story about ambition, integrity, and what we’re willing to sacrifice in the pursuit of success.
GREY ARIAS
Le Gateau Chocolat and Adrienne Truscott are dear friends and here, as in everyday life, they perform a multiplicity of identities: perceived, lived and projected. As their comical banter turns personal, political debates erupt, and grey areas (and arias) are exposed. Between musical numbers, they spring rhetorical traps designed to catch any who overstep the blurred lines of the politically correct and interrogate the boundaries of allyship.
GREY ARIAS
Le Gateau Chocolat and Adrienne Truscott are dear friends and here, as in everyday life, they perform a multiplicity of identities: perceived, lived and projected. As their comical banter turns personal, political debates erupt, and grey areas (and arias) are exposed. Between musical numbers, they spring rhetorical traps designed to catch any who overstep the blurred lines of the politically correct and interrogate the boundaries of allyship.
GREY ARIAS
Le Gateau Chocolat and Adrienne Truscott are dear friends and here, as in everyday life, they perform a multiplicity of identities: perceived, lived and projected. As their comical banter turns personal, political debates erupt, and grey areas (and arias) are exposed. Between musical numbers, they spring rhetorical traps designed to catch any who overstep the blurred lines of the politically correct and interrogate the boundaries of allyship.
GREY ARIAS
Le Gateau Chocolat and Adrienne Truscott are dear friends and here, as in everyday life, they perform a multiplicity of identities: perceived, lived and projected. As their comical banter turns personal, political debates erupt, and grey areas (and arias) are exposed. Between musical numbers, they spring rhetorical traps designed to catch any who overstep the blurred lines of the politically correct and interrogate the boundaries of allyship.
GREY ARIAS
Le Gateau Chocolat and Adrienne Truscott are dear friends and here, as in everyday life, they perform a multiplicity of identities: perceived, lived and projected. As their comical banter turns personal, political debates erupt, and grey areas (and arias) are exposed. Between musical numbers, they spring rhetorical traps designed to catch any who overstep the blurred lines of the politically correct and interrogate the boundaries of allyship.
4000 Miles
Come on down and join us for Middle Sibling Productions Winter 2026 Staged Reading!
Over the course of a single month, a grieving young man and his feisty 91-year-old grandmother by turns infuriate, bewilder and ultimately reach each other as they cohabitate in her West Village apartment.
The Show runs approximately 90 Minutes with no intermission.
Guest Production: When the Smoke Clears
When the Smoke Clears is a chamber opera–poem set beneath the surface of a world undone by war. Fleeing the devastation above, people have descended underground, into the earth’s sheltering womb. There, in darkness and suspension, they sing. As they wait to resurface, they reckon with what happened—and what led them here.
Resident Company Production: viBe’s Eva’s Eye
Join us for the dynamic stage reading of the original play, Eva’s Eye. A black family noir set in modern times, this story details the experience of a woman who has held her secrets closer to her chest than her family. Where will Eva’s cards land if she opens her arms to hold them instead?
Guest Production: When the Smoke Clears
When the Smoke Clears is a chamber opera–poem set beneath the surface of a world undone by war. Fleeing the devastation above, people have descended underground, into the earth’s sheltering womb. There, in darkness and suspension, they sing. As they wait to resurface, they reckon with what happened—and what led them here.
Resident Company Production: viBe’s Eva’s Eye
Join us for the dynamic stage reading of the original play, Eva’s Eye. A black family noir set in modern times, this story details the experience of a woman who has held her secrets closer to her chest than her family. Where will Eva’s cards land if she opens her arms to hold them instead?
The Tune Up!
The Tune Up! puts SLP & The Joyful Noise at center stage for a feature-length variety show that blends short plays, original music, and high-voltage performance centering around themes that unite us in our shared humanity. This is a sip-your-drinks, make-new-friends, dance-in-the-aisles kind of evening that traffics in big sounds and bold ideas, booty-shaking, and statement-making.
Resident Company Production: viBe’s Eva’s Eye
Join us for the dynamic stage reading of the original play, Eva’s Eye. A black family noir set in modern times, this story details the experience of a woman who has held her secrets closer to her chest than her family. Where will Eva’s cards land if she opens her arms to hold them instead?
Guest Production: Horizons and Higher Mountains Reading with Live Discussion
Through intimate, character-driven storytelling, the play follows individuals and families reckoning with personal loss, political disillusionment, and the question of how to carry forward when the movements that once sustained them have fractured.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!) (Copy)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Prudence Play (or Sister Prudence is Not Gay!)
Prudence Play (or Sister Prudence is Not Gay!) stars a young catholic nun having an identity (gay-as-hell) crisis. As memories from her past resurface and her dreams get more sinful, Prudence begins to question the voice in her head and is forced to confront her (horny) (gay) demons. Directed by Frances Rippy, Prudence Play takes us on a beautifully human and hilarious journey into the mind of a young nun trapped by her own choices.
Guest Production: Death Takes a Holiday
Just after World War I, Death arrives at an Italian villa disguised as a handsome young Prince. On a holiday to understand the human experience and “why all men fear him,” Death soon finds himself in love with the recently engaged daughter of the house. With a romantic, sweeping score from the composer of Titanic the musical, the show is a clever, touching, and funny (yes funny!) exploration of what it means to live and our relationship with death.
Guest Production: Death Takes a Holiday
Just after World War I, Death arrives at an Italian villa disguised as a handsome young Prince. On a holiday to understand the human experience and “why all men fear him,” Death soon finds himself in love with the recently engaged daughter of the house. With a romantic, sweeping score from the composer of Titanic the musical, the show is a clever, touching, and funny (yes funny!) exploration of what it means to live and our relationship with death.
Guest Production: & all our yesterdays
Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.
Guest Production: Death Takes a Holiday
Just after World War I, Death arrives at an Italian villa disguised as a handsome young Prince. On a holiday to understand the human experience and “why all men fear him,” Death soon finds himself in love with the recently engaged daughter of the house. With a romantic, sweeping score from the composer of Titanic the musical, the show is a clever, touching, and funny (yes funny!) exploration of what it means to live and our relationship with death.
Guest Production: & all our yesterdays
Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.
Guest Production: Death Takes a Holiday
Just after World War I, Death arrives at an Italian villa disguised as a handsome young Prince. On a holiday to understand the human experience and “why all men fear him,” Death soon finds himself in love with the recently engaged daughter of the house. With a romantic, sweeping score from the composer of Titanic the musical, the show is a clever, touching, and funny (yes funny!) exploration of what it means to live and our relationship with death.
Guest Production: & all our yesterdays
Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.
Guest Production: & all our yesterdays
Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.
Guest Production: & all our yesterdays
Set in a hospice waiting room, sometime, somewhere. When childhood friends are forced back together over the impending loss of one of their own, they find themselves caught in an exploration of grief and death, love and friendship, and the fear of facing the past.