Marina McClure

Marina McClure creates emotionally-charged theater, opera, and spectacles by fusing striking visual design and physical performance. She specializes in developing new intercultural work that creates space for exchange between artists and with the audience. Projects in development include Tear a Root from the Earth, a new musical that examines the legacy of American intervention in Afghanistan, with Qais Essar and Gramophonic (Creative Capital: “On Our Radar”, The Kennedy Center, BRIC, New Ohio’s Ice Factory); Letters from Home, a multimedia performance in collaboration with a Cambodian-American father and daughter team that explores the impact of the Khmer Rouge genocide on both of their artistic practices (UC Irvine; UCSD; Willamette; Independent Shakespeare). She directed Wing It!, a large-scale community performance for the Tony-winning Handspring Puppet Company in celebration of South Africa’s National Day of Reconciliation and collaborated on Casablancabox (2017 Drama Desk Nomination for Unique Theatrical Experience, HERE). Marina is a resident director at The Flea, where she recently directed the world premiere of Steph del Rosso’s Fill Fill Fill Fill Fill Fill Fill and an episodic adaptation of Italo Calvino’s Cosmicomics for The Flea’s new initiative for young audiences, CEREALS. Other recent: The Unbelievers, a collaboration between playwright Hannah Rittner and Yazidi Nobel Peace Prize winner Nadia Murad (Theatre Centre, Canada); Leisure Labor Lust (The Mount). Her direction of Gao Xingjian’s Nocturnal Wanderer was awarded Dartmouth College’s Gurdin Prize. Last season, she was an artist-in-residence at BRIC Arts Media and a nominator for the Drama League Awards. She has developed new plays and musicals at the Playwrights Realm, Boston Court, ACT, Northern Stage, Peterborough Players, REDCAT, Independent Shakespeare, United Solo, JACK, Voxfest, Dartmouth College, Brown University, Columbia University, NYU-Tisch, and is an alum of the Lincoln Center Directors Lab. Marina teaches at The National Theater Institute at the O’Neill, and was a finalist for the 2018 Creative Capital Award. Upcoming: Revolt. She Said. Revolt Again (Willamette). MFA: CalArts