Blooming: A Flea Shindiggity

DJ John Ali

Music

NYC-based tastemaker Jon Ali is a longtime music journalist who has interviewed some of the best acts in music such as Lady Gaga, Robyn, JoJo, Little Mix, Dua Lipa, Jazmine Sullivan, VINCINT, and the Queen of Pop herself, Madonna. He’s notably known for his work in highlighting queer musicans with his monthly playlists such as Queer Necessities. Currently, Jon Ali contributes to InTheKnow.com regularly and is celebrated as a DJ in queer nightlife all around New York City.

Jack Fuller

Music

Jack Fuller is an artist born and raised in Harlem NYC’s Sugar Hill. They studied at Harlem School of the Arts and LaGuardia High School as a vocalist, instrumentalist, actor, arranger, & songwriter. As a queer child in Harlem, adversity was no stranger. Always misunderstood, always different they reach for communication through their work- to understand their art is to understand them. The two spirited/two headed creative force has 2 albums out the latest of which is “The Build”. They are currently developing a new experimental opera, Thoughts and Involuntary Mantras.

Yonatan Gebeyehu

Performer

Yonatan Gebeyehu (Shaun and others) (he/him)- OFF- BROADWAY: TFANA: Merchant of Venice,Timon of Athens, MOLIERE IN THE PARK: Tartuffe, BEDLAM: Persuasion, NEW GEORGES/THE THANK: I Thought I Would Die, But I Didn’t. MTC: Where the Mountain Meets the Sea (u/s). REGIONAL: Shakespeare Theater of DC, Portland Stage Company, Montana Rep.TV: Prodigal Son (FOX), Elementary, Madame Secretary (CBS). DIGITAL: Lessons in Survival (Vineyard), 86’d (Bric Arts). TRAINING: University of California San Diego: MFA in Acting. Columbia University, B.A. in English.

Nona Hendryx

Music

Nona Hendryx tackles social issues, love and politics with a smoky vocal tessitura somewhere between funk and the end of the stratosphere. Hendryx’s legendary career spans six decades of sound and style evolution. Fans know her as a founding member of the girl group, Patti LaBelle & the Bluebelles (with Sarah Dash, Cindy Birdsong and Patti LaBelle) known as “the Sweethearts of the Apollo Theatre” and inducted into the R&B Hall of Fame in 1999. In the 70s, the group morphed into the Rock & Funk Glam Diva’s ‘Labelle’ with the #1 record, Lady Marmalade. Nona Hendryx emerged as the chief songwriter of the group’s socially conscious and illuminating message songs. Hendryx then became the revolutionary art-rock, new-wave goddess embarked upon her own impressive Solo career, which spanned eight studio albums and engaged her with an impressive lineup of collaborators (Prince, Peter Gabriel, Talking Heads, Laurie Anderson, Bono and Cameo), resulting in top ten hits and a Grammy nomination (Rock This Houses with The Rolling Stones’ Keith Richards on guitar).

Nona is the Ambassador for Artistry in Music at Berklee College of Music in Boston and co-chair of The Flea’s Board of Directors.

Chanon Judson

Dance

Chanon Judson joined the critically acclaimed Urban Bush Women in 2001. She has had the privilege of serving the company as rehearsal director, Director for UB2 – Urban Bush Women’s performing apprentice ensemble, and now furthers her work with UBW as Co-Artistic Director and Co-Director of BOLD (Builders Organizers and Leaders through Dance). Chanon and Samantha are choreographic directors for UBW’s new evening-length work, “Hair and Other Stories,” in collaboration with Raelle Myrick-Hodges. Chanon is a recipient of the APAP Leadership Fellowship Cohort II and Director’s Lab Chicago Fellowship 2018. Additional credits include Taylor Mac’s 24-Hour Spectacular, A 24-Decade History of Popular Music, Cotton Club Parade (Warren Carlyle), Prophecy Dance Company (Kwame Ross), and the Tony Award-winning musical Fela! (Bill T. Jones). Her commercial credits include Victoria’s Secret Live, L’Oreal Live, The Tonight Show Starring Jimmy Fallon, Apple Watch and the Michael Jackson 30th Anniversary Concert.

MUR

Music

Mur is a New York City based visual and performance artist with a focus in music composition. Mur has exhibited and performed solo works in collaboration with La MaMa, National Sawdust, Le Poisson Rouge, Justin Vivian Bond, Alan Cumming, Illesteva, New York Fashion Week, Nordstrom, and Soho House. Earlier this month, Mur made their debut at the Guggenheim with countertenor Anthony Roth Costanzo. Mur’s original musicals include Shopgirl The Musical (based on the Steve Martin Novella), Vagina Town The Musical, Mary Ann (A Psychotherapy Musical), REQUIEM (A Musical To Mourn My Failed Marriage), Susan Alexandra The Musical for New York Fashion Week, and TREES The Musical. This year, Mur was featured in New York Magazine’s The CUT. Mur’s mini musical videos have gone viral on social media and their visual work is on display at The Wild Bird Fund. Follow Mur at @murnewyork

O’Neil Scott

Live Painting

I am a self-taught, Philadelphia-based artist. Influenced early on by both my grandfather and uncle, each of whom pursued creative careers, I took to drawing as a child and spent much of my youth filling the pages of empty notebooks with images of individuals, both fictional and real. In college, I had hoped to study art. But I’d been awarded a football scholarship from Syracuse University and therefore had to prioritize my activities, which meant dropping my studio courses since they conflicted with the school’s training schedule. While I ended up majoring in Information Technology and then later earned my MBA at the University of Delaware, I never lost my passion for art. Rather, it remains a vehicle that I continue to utilize as a means to give voice to my innermost concerns.

Inspired by the Old Masters as well as contemporary realists, I always have been captivated by portraiture and its capacity to impart the complexities that comprise the human condition. It wasn’t until I stopped working with acrylic and started experimenting with oil two years ago that I started spending so much more time at the easel. Not only have I found the material’s pliability so much easier to navigate, but it’s ease of use has pushed me to delve that much deeper into my subject matter and risk voicing my trepidation about the many issues that I hold close to my heart, such as social justice, climate change, police brutality and the Black Lives Matter movement. At their core, I want my paintings to invoke mindfulness, to inspire contemplation, and to convey understanding.

James Scruggs

Performance Art

James Scruggs is a writer, performer, producer, teacher, speaker and arts administrator who creates large scale, topical, theatrical, multi-media work usually focused on inequity or gender politics. He is currently working with Rattlestick Theater to produce BRAVADO, a transmedia piece that will be experienced virtually, exploring viruses, mortality and 9/11. His work in progress version of A Voluptuary Life was a solo performance work about one man musing same gender loving lives across the ages. It was shown at HERE Arts Centerin March, 2019. MELT ! was a site specific, fully immersive work with actors, musicians and radical audience participation. It was commissioned and performed for one day on The High Line in NYC. His piece, 3/Fifths SupremacyLand was a “Must See” production in The NY Times; Timeout stated: “The insidious brilliance of SupremacyLand lies in the way that Scruggs, co-opts the conventions of immersive theater to deliver a powerful message.” He conceived, wrote and produced the fully interactive 3/Fifths, which enlisted over 30 collaborators, 23 actors, 46 channels of video, spread over 5 performance spaces spanning over 10,000 square feet. Previous theatrical works include Touchscape, An Emotional Striptease; Tickets To Manhood and Deepest Man, an experimental work with a 3D holographic projection surface exploring freediving as a cure for grief produced by and premiered at 3LD Art &Technology Center. He is currently a Fieldwork facilitator for The Field and a Professional Development Program facilitator for Creative Capital. James Scruggs has a BFA in Film from School of Visual Arts.